Supply (economics), the amount of a product which is available to customers

Supply, as in confidence and supply, the provision of funds for government expenditure

Narcissistic supply, the way in which a narcissistic individual requires affirmation, approval, and admiration from others in the same way as the infant requires an external supply of food

Materiel, the goods and equipment for a military unit to fulfill its mission

it:Supply

name	Buster Keaton
birth name	Joseph Frank Keaton
birth date	October 04, 1895
birth place	Piqua, Kansas, U.S.
death date	February 01, 1966
death place	Woodland Hills, California, U.S.
other names	Joseph Francis Keaton
occupation	ActorDirectorProducerWriter
years active	1898–1966
spouse	Natalie Talmadge (1921–32)Mae Scriven (1933–36)Eleanor Norris (1940-66) (his death)}}

Joseph Frank "Buster" Keaton (October 4, 1895 February 1, 1966) was an American comic actor, filmmaker, producer and writer. He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face".

Keaton was recognized as the seventh-greatest director of all time by ''Entertainment Weekly''. In 1999, the American Film Institute ranked Keaton the 21st-greatest male star of all time. Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929, [when] he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies." Orson Welles stated that Keaton's ''The General'' is the greatest comedy ever made, the greatest Civil War film ever made, and perhaps the greatest film ever made. A 2002 worldwide poll by ''Sight & Sound'' ranked Keaton's ''The General'' as the 15th best film of all time. Three other Keaton films received votes in the magazine's survey: ''Our Hospitality'', ''Sherlock, Jr.'', and ''The Navigator''.

Early life in vaudeville

Keaton was born Joseph Frank Keaton into a vaudeville family. He was named "Joseph" to continue a tradition on his father's side—he was sixth in a line bearing the name Joseph Keaton—and "Frank" for his maternal grandfather, who disapproved of the parents' union. Later, Keaton changed his middle name to "Francis". His father was Joseph Hallie "Joe" Keaton, a native of Vigo County, Indiana. Joe Keaton owned a traveling show with Harry Houdini, the ''Mohawk Indian Medicine Company'', which performed on stage and sold patent medicine on the side. Buster Keaton was born in Piqua, Kansas, the small town where his mother, Myra Edith Cutler, happened to go into labor.

According to a frequently-repeated story, which may be apocryphal, Keaton acquired the nickname "Buster" at about eighteen months of age. Keaton told interviewer Fletcher Markle that Harry Houdini happened to be present one day when the young Keaton took a tumble down a long flight of stairs without injury. After the infant sat up and shook off his experience, Houdini remarked, "That was a real buster!" According to Keaton, in those days, the word "buster" was used to refer to a spill or a fall that had the potential to produce injury. After this, it was Keaton's father who began to use the nickname to refer to the youngster. Keaton retold the anecdote over the years, including during a 1964 interview with the CBC's ''Telescope''.

At the age of three, Keaton began performing with his parents in ''The Three Keatons''. He first appeared on stage in 1899 in Wilmington, Delaware. The act was mainly a comedy sketch. Myra played the saxophone to one side, while Joe and Buster performed on center stage. The young Keaton would goad his father by disobeying him, and the elder Keaton would respond by throwing him against the scenery, into the orchestra pit, or even into the audience. A suitcase handle was sewn into Keaton's clothing to aid with the constant tossing. The act evolved as Keaton learned to take trick falls safely; he was rarely injured or bruised on stage. This knockabout style of comedy led to accusations of child abuse, and occasionally, arrest. However, Buster Keaton was always able to show the authorities that he had no bruises or broken bones. He was eventually billed as "The Little Boy Who Can't Be Damaged," with the overall act being advertised as "'The Roughest Act That Was Ever in the History of the Stage." Decades later, Keaton said that he was never hurt by his father and that the falls and physical comedy were a matter of proper technical execution. In 1914, Keaton told the ''Detroit News'':

The secret is in landing limp and breaking the fall with a foot or a hand. It's a knack. I started so young that landing right is second nature with me. Several times I'd have been killed if I hadn't been able to land like a cat. Imitators of our act don't last long, because they can't stand the treatment.

Keaton claimed he was having so much fun that he would sometimes begin laughing as his father threw him across the stage. Noticing that this drew fewer laughs from the audience, he adopted his famous deadpan expression whenever he was working.

The act ran up against laws banning child performers in vaudeville. It is said that, when one official saw Keaton in full costume and makeup and asked a stagehand how old he was, the stagehand then pointed to the boy's mother, saying, "I don't know, ask his wife!" According to one biographer, Keaton was made to go to school while performing in New York, but only attended for part of one day. Despite tangles with the law and a disastrous tour of music halls in the United Kingdom, Keaton was a rising star in the theater. Keaton stated that he learned to read and write late, and was taught by his mother. By the time he was 21, his father's alcoholism threatened the reputation of the family act, so Keaton and his mother, Myra, left for New York, where Buster Keaton's career swiftly moved from vaudeville to film.

Although he did not see active combat, he served in World War I, during which time he suffered an ear infection that permanently impaired his hearing.

Silent film era

In February 1917, Keaton met Roscoe "Fatty" Arbuckle at the Talmadge Studios in New York City, where Arbuckle was under contract to Joseph M. Schenck. Joe Keaton disapproved of films, and Buster also had reservations about the medium. During his first meeting with Arbuckle, he asked to borrow one of the cameras to get a feel for how it worked. He took the camera back to his hotel room, dismantled and reassembled it. With this rough understanding of the mechanics of the moving pictures, he returned the next day, camera in hand, asking for work. He was hired as a co-star and gag man, making his first appearance in ''The Butcher Boy''. Keaton later claimed that he was soon Arbuckle's second director and his entire gag department. Keaton and Arbuckle became close friends.

In 1920, ''The Saphead'' was released, in which Keaton had his first starring role in a full-length feature. It was based on a successful play, ''The New Henrietta'', which had already been filmed once under the title "The Lamb" with Douglas Fairbanks playing the lead. It is said to have been Fairbanks that recommended Keaton to take up the role for the remake five years later.

After Keaton's successful work with Arbuckle, Schenck gave him his own production unit, Buster Keaton Comedies. He made a series of two-reel comedies, including ''One Week'' (1920), ''The Playhouse'' (1921), ''Cops'' (1922), and ''The Electric House'' (1922). Based on the success of these shorts, Keaton moved to full-length features. Keaton's writers included Clyde Bruckman and Jean Havez, but the most ingenious gags were often conceived by Keaton himself. Comedy director Leo McCarey, recalling the freewheeling days of making slapstick comedies, said, "All of us tried to steal each other's gagmen. But we had no luck with Keaton, because he thought up his best gags himself and we couldn't steal ''him!''" The more adventurous ideas called for dangerous stunts, also performed by Keaton at great physical risk. During the railroad water-tank scene in ''Sherlock Jr.'', Keaton broke his neck when he fell against a railroad track, but did not realize it until years afterward. A scene from ''Steamboat Bill Jr.'' required Keaton to run into the shot and stand still on a particular spot. Then, the facade of a two-story building toppled forward on top of Keaton. Keaton's character emerged unscathed, thanks to a single open window which passed directly over him. The stunt required precision, because the prop house weighed two tons, and the window only offered a few inches of space around Keaton's body. The sequence became one of the iconic images of Keaton's career.

The film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face — as beautiful but as inhuman as a butterfly — and you see that utter failure to identify sentiment." Gilberto Perez describes "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large deep eyes are the most eloquent feature; with merely a stare he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow."

Aside from ''Steamboat Bill Jr.'' (1928), Keaton's most enduring feature-length films include ''Our Hospitality'' (1923), ''The Navigator'' (1924), ''Sherlock Jr.'' (1924), ''Seven Chances'' (1925), ''The Cameraman'' (1928), and ''The General'' (1927). ''The General'', set during the American Civil War, combined physical comedy with Keaton's love of trains, including an epic locomotive chase. Employing picturesque locations, the film's storyline reenacted an actual wartime incident. Though it would come to be regarded as Keaton's proudest achievement, the film received mixed reviews at the time. It was too dramatic for some filmgoers expecting a lightweight comedy, and reviewers questioned Keaton's judgment in making a comedic film about the Civil War, even while noting it had a "few laughs". The fact that the heroes of the story were from the Confederate side may have also contributed to the film's unpopularity.

It was an expensive misfire, and Keaton was never entrusted with total control over his films again. His distributor, United Artists, insisted on a production manager who monitored expenses and interfered with certain story elements. Keaton endured this treatment for two more feature films, and then exchanged his independent setup for employment at Hollywood's biggest studio, Metro-Goldwyn-Mayer (MGM). Keaton's loss of independence as a filmmaker coincided with the coming of sound films (although he was interested in making the transition) and mounting personal problems, and his career in the early sound era was hurt as a result.

Marriages

In 1921, Keaton married Natalie Talmadge, sister-in-law of his boss, Joseph Schenck, and sister of actresses Norma Talmadge and Constance Talmadge. During the first three years of the marriage, the couple had two sons, James (1922–2007) and Robert (1924–2009), but after the birth of Robert, the relationship began to suffer.

According to Keaton's autobiography, Natalie turned him out of their bedroom and sent detectives to follow him to see whom he was dating behind her back. Her extravagance was another factor in the breakdown of the marriage. During the 1920s, according to his autobiography, he dated actress Kathleen Key. When he ended the affair, Key flew into a rage and tore up his dressing room.

After attempts at reconciliation, Natalie divorced Keaton in 1932, taking his entire fortune and refusing to allow any contact between Keaton and his sons, whose last name she had changed to Talmadge. Keaton was reunited with them about a decade later when his older son turned 18. The failure of his marriage, along with the loss of his independence as a filmmaker, led Keaton into a period of alcoholism.

During the height of his popularity, Keaton spent $300,000 to build a home in Beverly Hills, which was later owned by James Mason and Cary Grant. Keaton's "Italian Villa" can be seen in Keaton's film ''Parlor, Bedroom and Bath''. Keaton later said, "I took a lot of pratfalls to build that dump." Mason found numerous cans of rare Keaton films in the house in the 1950s; the films were quickly transferred by Raymond Rohauer to safety film before the original cellulose nitrate prints further deteriorated.

Keaton was at one point briefly institutionalized; however, according to the TCM documentary ''So Funny it Hurt'', Keaton escaped a straitjacket with tricks learned during his vaudeville days. In 1933, he married his nurse, Mae Scriven, during an alcoholic binge about which he afterwards claimed to remember nothing (Keaton himself later called that period an "alcoholic blackout"). Scriven herself would later claim that she didn't know Keaton's real first name until after the marriage. When they divorced in 1936, it was again at great financial cost to Keaton.

In 1940, Keaton married Eleanor Norris (1918–1998), who was 23 years his junior. She has been credited with saving his life by stopping his heavy drinking, and helped to salvage his career. The marriage lasted until his death. Between 1947 and 1954, they appeared regularly in the Cirque Medrano in Paris as a double act. She came to know his routines so well that she often participated in them on TV revivals.

Sound era and television

Keaton signed with MGM in 1928, a business decision that he would later call the worst of his life. He realized too late that the studio system MGM represented would severely limit his creative input. For instance, the studio refused his request to make his early project, ''Spite Marriage'', as a sound film and after the studio converted, he was obliged to adhere to dialogue-laden scripts. For the first time, Keaton was forced to use a stunt double during some of the more dangerous scenes, as MGM wanted badly to protect its investment. He also stopped directing, but continued to perform and made some of his most financially successful films for the studio. MGM tried teaming the laconic Keaton with the rambunctious Jimmy Durante in a series of films, ''The Passionate Plumber'', ''Speak Easily'', and ''What! No Beer?'' The latter would be Keaton's last starring feature. The films proved popular. (Thirty years later, both Keaton and Durante had cameo parts in ''It's a Mad Mad Mad Mad World''.)

In the first Keaton pictures with sound, he and his fellow actors would shoot each scene three times: one in English, one in Spanish, and one in either French or German. The actors would phonetically memorize the foreign-language scripts a few lines at time and shoot immediately after. This is discussed in the TCM documentary ''Buster Keaton: So Funny it Hurt'', with Keaton complaining about having to shoot lousy films not just once, but three times. His stage name in Spanish markets was ''Pamplinas'' ("Nonsense"), and his nickname was ''Cara de palo'' ("Wooden face").

Behind the scenes, Keaton's world was in chaos, with divorce proceedings and alcoholism contributing to production delays and unpleasant incidents at the studio. Keaton was so depleted during the production of 1933's ''What! No Beer?'' that MGM released him after the filming was complete, despite the film being a resounding hit. In 1934, Keaton accepted an offer to make an independent film in Paris, ''Le Roi des Champs-Élysées''. During this period, he made one other film in Europe, ''The Invader'' (released in America as ''An Old Spanish Custom'' in 1936).

Educational Pictures

Upon Keaton's return to Hollywood, he made a screen comeback in a series of 16 two-reel comedies for Educational Pictures. Most of these are simple visual comedies, with many of the gags supplied by Keaton himself. The high point in the Educational series is ''Grand Slam Opera'', featuring Buster in his own screenplay as an amateur-hour contestant. When the series lapsed in 1937, Keaton returned to MGM as a gag writer, including the Marx Brothers films ''At the Circus'' (1939) and ''Go West'' (1940), and providing material for Red Skelton. He also helped and advised Lucille Ball in her comedic work in films and television.

Columbia Pictures

In 1939, Columbia Pictures hired Keaton to star in ten two-reel comedies, running for two years. The director was usually Jules White, whose emphasis on slapstick made most of these films resemble White's Three Stooges comedies. Keaton's personal favorite was the series' debut entry, ''Pest from the West'', a shorter, tighter remake of Keaton's little-viewed 1935 feature ''The Invader''; it was directed not by White but by Mack Sennett veteran Del Lord. Moviegoers and exhibitors welcomed Keaton's Columbia comedies, proving that the comedian had not lost his appeal. However, taken as a whole, Keaton's Columbia shorts rank as the worst comedies he made, an assessment he concurred with in his autobiography. The final entry was ''She's Oil Mine'', and Keaton swore he would never again "make another crummy two-reeler." He stuck to his word, and the Columbia entries would be his final starring series for any film studio.

1940s and feature films

Keaton's personal life had stabilized with his 1940 marriage, and now he was taking life a little easier, abandoning Columbia for the less strenuous field of feature films. Throughout the 1940s, Keaton played character roles in both "A" and "B" features. Critics rediscovered Keaton in 1949 and producers occasionally hired him for bigger "prestige" pictures. He had cameos in such films as ''In the Good Old Summertime'' (1949), ''Sunset Boulevard'' (1950), and ''Around the World in Eighty Days'' (1956).

Keaton also had a small bit part as Jimmy The Crook near the beginning of the long, frantic chase scene in ''It's A Mad, Mad, Mad, Mad World'' (1963), directing Spencer Tracy's character, Captain C. G. Culpepper, in storing his police car in a shoreline garage. Keaton was given more screen time in ''A Funny Thing Happened on the Way to the Forum'' (1966). He also appeared in a comedy routine about two inept stage musicians in Charlie Chaplin's ''Limelight'' (1952), recalling the vaudeville of ''The Playhouse''. With the exception of ''Seeing Stars'', a minor publicity film produced in 1922, ''Limelight'' was the only time in which the two would ever appear together on film.

In 1949, comedian Ed Wynn invited Keaton to appear on his CBS Television comedy-variety show, ''The Ed Wynn Show'', which was televised live on the West Coast. Kinescopes were made for distribution of the programs to other parts of the country since there was no transcontinental coaxial cable until September 1951.

1950s and television

In 1950, Keaton had a successful television series, ''The Buster Keaton Show'', which was broadcast live on a local Los Angeles station. An attempt to recreate the first series on film as ''Life with Buster Keaton'' (1951), which allowed the program to be broadcast nationwide, was less well-received. A theatrical feature film, ''The Misadventures of Buster Keaton'', was fashioned from the series. Keaton said he canceled the filmed series himself because he was unable to create enough fresh material to produce a new show each week. Keaton also appeared on Ed Wynn's variety show. At the age of 55, he successfully recreated one of the stunts of his youth, in which he propped one foot onto a table, then swung the second foot up next to it, and held the awkward position in midair for a moment before crashing to the stage floor. ''I've Got a Secret'' host Garry Moore recalled, "I asked (Keaton) how he did all those falls, and he said, 'I'll show you'. He opened his jacket and he was all bruised. So that's how he did it—it ''hurt''—but you had to care enough not to care."

Unlike his contemporary Harold Lloyd, who kept his films from being televised (and therefore became lesser known to today's audiences), Keaton's periodic television appearances helped to revive interest in his silent films in the 1950s and 1960s. In 1954, Keaton played his first television dramatic role in "The Awakening", an episode of the syndicated anthology series ''Douglas Fairbanks, Jr., Presents''. About this time, he also appeared on NBC's ''The Martha Raye Show''.

On April 3, 1957, Keaton was surprised by Ralph Edwards for the weekly NBC program ''This Is Your Life''. The half hour program, which also promoted the release of the biographical film ''The Buster Keaton Story'' with Donald O'Connor, summarized Keaton's life and career up to that point.

In December 1958, Keaton was a guest star as a hospital janitor who provides gifts to sick children in a special Christmas episode of ''The Donna Reed Show'' on ABC. The program was titled "A Very Merry Christmas". He returned to the program in 1965 in the episode "Now You See It, Now You Don't". The 1958 episode has been included in the DVD release of Donna Reed's television programs.

In August 1960, Keaton accepted the role of mute King Sextimus the Silent in the national touring company of ''Once Upon A Mattress'', a successful Broadway musical. Eleanor Keaton was cast in the chorus, and during rehearsals, she fielded questions directed at her husband, creating difficulties in communication. After a few days, Keaton warmed up to the rest of the cast with his "utterly delicious sense of humor", according to Fritzi Burr, who played opposite him as his wife Queen Aggravaine. When the tour landed in Los Angeles, Keaton invited the entire cast and crew to a spaghetti party at his Woodland Hills home, and entertained them by singing vaudeville songs.

In 1960, Keaton returned to MGM for the final time, playing a lion tamer in a 1960 adaptation of Mark Twain's ''The Adventures of Huckleberry Finn''. Much of the film was shot on location on the Sacramento River, which doubled for the Mississippi River setting of Twain's original book.

In 1961, he starred in ''The Twilight Zone'' episode "Once Upon a Time", which included both silent and sound sequences. Keaton played time traveler Mulligan, who traveled from 1890 to 1960, then back, by means of a special helmet.

Keaton also found steady work as an actor in TV commercials, including a popular series of silent ads for Simon Pure Beer in which he revisited some of the gags from his silent film days. In 1963, Keaton appeared in the episode "Think Mink" of ABC's ''Mr. Smith Goes to Washington'' sitcom, starring Fess Parker.

In 1964, Keaton appeared with Joan Blondell and Joe E. Brown in the final episode of ABC's circus drama, ''The Greatest Show on Earth'', starring Jack Palance. That same year, he appeared on Lucille Ball's CBS television show, ''The Lucy Show'', in an episode ("A Day in the Park") filmed in color but initially televised in black and white; this featured him sitting on a park bench, reading a newspaper, which he gradually unfolded into a huge, single sheet. Harvey Korman played a policeman in the scene.

At the age of 70, Keaton suggested that, for his appearance in the 1965 film ''Sergeant Deadhead'', he run past the end of a firehose into a six-foot-high flip and crash. When director Norman Taurog balked, expressing concerns for Keaton's health, Keaton said, "I won't hurt myself, Norm, I've done it for years!" Keaton also starred in three other films for American International Pictures (''Beach Blanket Bingo'', ''Pajama Party'', and ''How to Stuff a Wild Bikini'').

In 1965, Keaton starred in a short film called ''The Railrodder''for the National Film Board of Canada. Wearing his traditional porkpie hat, he travelled from one end of Canada to the other on a motorized handcar, performing gags similar to those in films he made 50 years before. The film is also notable for being Keaton's last silent screen performance. ''The Railrodder'' was made in tandem with a behind-the-scenes documentary about Keaton's life and times, called ''Buster Keaton Rides Again'', also made for the National Film Board. He played the central role in Samuel Beckett's ''Film'' (1965), directed by Alan Schneider. Also in 1965, he traveled to Italy to play a role in ''Due Marines e un Generale'', co-starring alongside with the famous Italian comedian duo of Franco Franchi and Ciccio Ingrassia.

Keaton's last film appearance was in ''A Funny Thing Happened on the Way to the Forum'' (1966) which was filmed in Spain in late 1965. He amazed the cast and crew by doing many of his own stunts, although Thames Television said his increasingly ill health did force the use of a stunt double for some scenes.

Death

Keaton died of lung cancer on February 1, 1966, in Woodland Hills, California. Despite being diagnosed with the terminal illness in January 1966, he was never told that he was terminally ill, and thought that he had bronchitis. Confined to a hospital during his final days for treatment, Keaton was restless and paced the room endlessly. In a British television documentary on his career, his widow Eleanor told producers of Thames Television that Keaton was up out of bed and moving around, and even played cards with friends who came to visit at their house the day before he died. Eleanor Keaton died in 1998, from emphysema and lung cancer, aged 80.

Influence and legacy

Keaton has two stars on the Hollywood Walk of Fame: 6619 Hollywood Boulevard (for motion pictures); and 6321 Hollywood Boulevard (for television).

A 1957 film biography, ''The Buster Keaton Story'', starred Donald O'Connor as Keaton. The screenplay, by Sidney Sheldon (who also directed the film), was vaguely based on his life, but contained many factual errors and merged his three wives into one character. Most of the story centered on his drinking problem, in the producer's attempt to imitate the success of ''I'll Cry Tomorrow'', a sudsy biography about another alcoholic celebrity (Lillian Roth). The 1987 documentary, ''Buster Keaton: A Hard Act to Follow'', which won two Emmy Awards and was directed by Kevin Brownlow and David Gill, is considered a much more accurate telling of Keaton’s story.

In 1994, caricaturist Al Hirschfeld penned a series of silent film stars for the United States Post Office, including Rudolph Valentino and Keaton. Hirschfeld said that modern film stars were more difficult to depict, that silent film comedians such as Laurel and Hardy and Keaton "looked like their caricatures".

Keaton's physical comedy is cited by Jackie Chan in his autobiography documentary ''Jackie Chan: My Story'' as being the primary source of inspiration for his own brand of self-deprecating physical comedy.

Paul Merton often stated on his show ''Silent Clowns'' how influential and hilarious Buster Keaton was to fellow comedians.

Pork pie hats

Keaton designed and fabricated many of his own pork pie hats during his career. In 1964, he told an interviewer that in making the pork pie, he started with a good Stetson hat and cut it down, stiffening the brim with concentrated sugar water. The hats were often destroyed during Keaton's wild film antics; some were given away as gifts and some were snatched by souvenir hunters. Keaton said he was lucky if he used only six hats in making a film. Keaton estimated that he and his wife Eleanor made thousands of the hats during his career.

Keaton in music

In 1987 Italian singer-songwriters Claudio Lolli and Francesco Guccini wrote a song, ''Keaton'', about his work in Italy on the film ''Due Marines e un Generale''

Filmography

See also

Camille Keaton

References

Further reading

Agee, James, "Comedy's Greatest Era" from ''Life'' (September 5, 1949), reprinted in ''Agee on Film'' (1958) McDowell, Obolensky, (2000) Modern Library

Keaton, Buster (with Charles Samuels), ''My Wonderful World of Slapstick'' (1960) Doubleday, (1982) Da Capo Press ISBN 0-306-80178-7

Blesh, Rudi, ''Keaton'' (1966) The Macmillan Company ISBN 0-02-511570-7

Lahue, Kalton C., ''World of Laughter: The Motion Picture Comedy Short, 1910-1930'' (1966) University of Oklahoma Press

Lebel, Jean-Patrick, ''Buster Keaton'' (1967) A.S. Barnes

Brownlow, Kevin, "Buster Keaton" from ''The Parade’s Gone By'' (1968) Alfred A. Knopf, (1976) University of California Press

McCaffrey, Donald W., ''4 Great Comedians: Chaplin, Lloyd, Keaton, Langdon'' (1968) A.S. Barnes

Robinson, David, ''Buster Keaton'' (1969) Indiana University Press, in association with British Film Institute

Robinson, David, ''The Great Funnies: A History of Film Comedy'' (1969) E.P. Dutton

Durgnat, Raymond, "Self-Help with a Smile" from ''The Crazy Mirror: Hollywood Comedy and the American Image'' (1970) Dell

Maltin, Leonard, ''Selected Short Subjects'' (first published as ''The Great Movie Shorts'', 1972) Crown Books, (revised 1983) Da Capo Press

Gilliatt, Penelope, "Buster Keaton" from ''Unholy Fools: Wits, Comics, Disturbers of the Peace'' (1973) Viking

Mast, Gerald, ''The Comic Mind: Comedy and the Movies'' (1973, 2nd ed. 1979) University of Chicago Press

Kerr, Walter, ''The Silent Clowns'' (1975) Alfred A. Knopf, (1990) Da Capo Press ISBN 0-394-46907-0

Anobile, Richard J. (ed.), ''The Best of Buster: Classic Comedy Scenes Direct from the Films of Buster Keaton'' (1976) Crown Books

Yallop, David, ''The Day the Laughter Stopped: The True Story of Fatty Arbuckle'' (1976) St. Martin's Press

Byron, Stuart and Weis, Elizabeth (eds.), ''The National Society of Film Critics on Movie Comedy'' (1977) Grossman/Viking

Moews, Daniel, ''Keaton: The Silent Features Close Up'' (1977) University of California Press

Everson, William K., ''American Silent Film'' (1978) Oxford University Press

Maltin, Leonard, ''The Great Movie Comedians'' (1978) Crown Books

Dardis, Tom, ''Keaton: The Man Who Wouldn't Lie Down'' (1979) Scribners, (2004) Limelight Editions

Benayoun, Robert, ''The Look of Buster Keaton'' (1983) St. Martin's Press

Staveacre, Tony, ''Slapstick!: The Illustrated Story'' (1987) Angus & Robertson Publishers

Edmonds, Andy, ''Frame-Up!: The Shocking Scandal That Destroyed Hollywood's Biggest Comedy Star Roscoe "Fatty" Arbuckle'' (1992) Avon Books

Kline, Jim, ''The Complete Films of Buster Keaton'' (1993) Carol Pub. Group

Meade, Marion, ''Buster Keaton: Cut to the Chase'' (1995) HarperCollins

Rapf, Joanna E. and Green, Gary L., ''Buster Keaton: A Bio-Bibliography'' (1995) Greenwood Press

Oldham, Gabriella, ''Keaton's Silent Shorts: Beyond the Laughter'' (1996) Southern Illinois University Press

Horton, Andrew, ''Buster Keaton's Sherlock Jr.'' (1997) Cambridge University Press

Bengtson, John, ''Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton'' (1999) Santa Monica Press

Knopf, Robert, ''The Theater and Cinema of Buster Keaton'' (1999) Princeton University Press ISBN 0-69100-442-0

Keaton, Eleanor, ''Buster Keaton Remembered'' (2001) Harry N. Abrams ISBN 0-8109-4227-5

Mitchell, Glenn, ''A – Z of Silent Film Comedy'' (2003) B.T. Batsford Ltd.

McPherson, Edward, ''Buster Keaton: Tempest in a Flat Hat'' (2005) Newmarket Press ISBN 1-55704-665-4

Oderman, Stuart, ''Roscoe "Fatty" Arbuckle: A Biography of the Silent Film Comedian'' (2005) McFarland & Co.

Neibaur, James L., ''Arbuckle and Keaton: Their 14 Film Collaborations'' (2006) McFarland & Co.

Keaton, Buster, ''Buster Keaton: Interviews'' (Conversations with Filmmakers Series) (2007) University Press of Mississippi

Brighton, Catherine, ''Keep Your Eye on the Kid: The Early Years of Buster Keaton'' (2008) Roaring Brook Press (An illustrated children's book about Keaton's career)

Smith, Imogen Sara, ''Buster Keaton: The Persistence of Comedy'' (2008) Gambit Publishing ISBN 978-0967591742

Carroll, Noel, ''Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping'' (2009) Wiley-Blackwell

Neibaur, James L., ''The Fall of Buster Keaton: His Films for MGM, Educational Pictures, and Columbia'' (2010) Scarecrow Press

External links

The International Buster Keaton Society

Buster Keaton Museum

Buster Keaton and the Muskegon Connection

Buster Keaton in Five Easy Clips

Buster Keaton Photo Galleries (includes rare images of BK smiling and laughing)

Buster Keaton as a child performer(Univ. of Washington/ Sayre collection)

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ar:باستر كيتون an:Buster Keaton bn:বুস্টার কিটন bs:Buster Keaton bg:Бъстър Кийтън ca:Buster Keaton cs:Buster Keaton da:Buster Keaton de:Buster Keaton et:Buster Keaton el:Μπάστερ Κίτον es:Buster Keaton eo:Buster Keaton eu:Buster Keaton fa:باستر کیتون fr:Buster Keaton fy:Buster Keaton ga:Buster Keaton gl:Buster Keaton ko:버스터 키튼 hr:Buster Keaton io:Buster Keaton id:Buster Keaton it:Buster Keaton he:באסטר קיטון la:Buster Keaton lb:Buster Keaton hu:Buster Keaton ml:ബസ്റ്റർ കീറ്റൻ nl:Buster Keaton ja:バスター・キートン no:Buster Keaton nn:Buster Keaton oc:Buster Keaton pms:Buster Keaton pl:Buster Keaton pt:Buster Keaton ro:Buster Keaton ru:Китон, Бастер scn:Buster Keaton simple:Buster Keaton sr:Бастер Китон sh:Buster Keaton fi:Buster Keaton sv:Buster Keaton th:บัสเตอร์ คีตัน tr:Buster Keaton uk:Бастер Кітон vi:Buster Keaton zh:巴斯特·基頓

Title	Tom Clancy's EndWar
Developer	Ubisoft Shanghai
Publisher	Ubisoft
Designer	Michael de Plater
Composer	Alistair Hirst Matt Ragan
Genre	Real-time tactics(turn-based for handhelds)
Engine	Unreal Engine 3.1
Version	1.02 (May 12, 2009) (PC)
Released	Console and handheld:Microsoft Windows:February 24, 2009
Modes	Single-player, multiplayer
Ratings	|PEGI16+, 12+ (NDS)}}

|platforms= Microsoft Windows, PlayStation Portable, PlayStation 3, Nintendo DS, Xbox 360 |media= Blu-ray Disc, DVD, UMD |requirements= |input= }}

''Tom Clancy's EndWar'' is a real-time tactics game designed by Ubisoft Shanghai for the PlayStation 3, Xbox 360 and Windows platforms. The Nintendo DS and PlayStation Portable versions feature turn-based tactics instead of the real-time tactics of their console counterparts. It was released on November 4, 2008 in the United States, November 6, 2008 in Canada, and November 8, 2008 in Europe. A Windows version was released on February 24, 2009.

Story

Background

In 2016, a nuclear attack occurs in Saudi Arabia, killing six million people and crippling the supply of oil from the Middle East, plunging the world into an unprecedented energy crisis. The following year, the United States of America and the European Union sign the historic SLAMS (Space-Land-Air Missile Shield) Treaty, agreeing to co-develop technologies for a comprehensive, interlocking anti-ballistic missile system. The U.S. and EU test-launch nuclear salvos against each other, which the SLAMS weapons completely destroy. Emboldened by the success of the tests, the United States and the European Union pronounce "the end of strategic nuclear war," and the world celebrates a new age of peace.

With the price of crude oil at USD 800 a barrel, the EU member states are forced to consolidate political, economic, and military power to form the European Federation. The United Kingdom and Ireland decline membership. Nations too weak to join the new Federation, notably the Balkans and Eastern Europe, collapse completely and were subsequently taken over by Russia, who refer to it as "their land." The U.S. and the EF regard each other's power as a threat to their own, and the now fractured former allies embark on a costly space arms race with each other.

Russia, being the world's new number one supplier of natural gas and crude oil, has its economy skyrocket up with the energy crisis, spending its oil profits on modernizing its armed forces, creating its own missile defense system, and utilizing its new-found power to influence world events.

The militarization of space reaches its peak in 2020, when the United States reveals plans to launch the ''Freedom Star'' space station in an effort to regain its position as the premier world superpower. While partly designed for civilian research purposes, the station will also house three companies of U.S. Marines, who can deploy anywhere on Earth within 90 minutes. International reaction is extremely negative, to say the least. The EF and Russia in particular despise the development, seeing it as a way the U.S. could use to neutralize their portion of anti-ballistic defenses and upset the balance of power. The EF withdraws from the already divided NATO in protest.

Prelude to war

The prelude to war takes place before the Third World War and explains how the conflict began.

On March 23, 2020, European Federation (EF) uplink sites in the "lawless zone," where Croatia used to be, are attacked by an as-yet unidentified group of terrorists, who are using T-80 tanks, from a beached cargo ship. They are repulsed by EF Enforcers Corps (EFEC) forces. During the battle, the EF attempts to gain access to the cargo ship that the terrorists use but the ship is destroyed before they can gain access. Details of the attack are kept secret.

On April 4, 2020, when the final module of the ''Freedom Star'' is set to launch from Kennedy Space Center amid international outcry, the same group of terrorists attack the module and attempt to destroy it, using the same methods as the Croatian attack. Once again they are repulsed, this time by the United States Joint Strike Force (JSF) as reports of yet another terrorist attack come in, this time of an assault on the Rozenburg petrol plant in the Netherlands. After being defeated by EFEC forces, the terrorists identify themselves as the "Forgotten Army" composed of people from a collection of failed states in the Balkans, Africa and South America.

Following a final terrorist attack, this time on a Russian power plant near Minsk (an attack which the Russians were aware of beforehand but played along with for aesthetic purposes), the US finds "conclusive evidence" that the European Federation's defense minister, François Pulain, funded the Forgotten Army with modern military equipment. They send a black-ops team to abduct him while he inspects the Copenhagen uplink network. They manage to capture him but an anonymous call by Russia informs Danish police, allowing EFEC forces to prevent extraction and trap the team in one of the uplinks. On April 7, 2020, the US crashes Copenhagen's uplinks and sends in JSF units to rescue the trapped team. The US successfully repels the EFEC's first attack, but European forces are able to counter-attack and reboot Copenhagen's uplinks in their favor. The JSF forces are forced to surrender and allowed safe passage back to the U.S. in exchange for releasing Pulain.

While emergency peace talks are held on neutral ground in London, it is revealed (to the player only) that Russia funded the Forgotten Army's attacks and planted the evidence against Pulain, citing the need to keep the EF and the U.S. from uniting in order to take Russia's oil. To ensure that war is sparked between the two powers, elements of the Spetsnaz Guard Brigade (SGB) embark on a covert operation, disguised as Forgotten Army soldiers, to upload a virus into the European SLAMS network at Rovaniemi air base in Finland. The virus causes an EF orbital laser satellite to shoot down the new ''Freedom Lifter'' module during lift off, thinking it to be an ICBM. The entire crew is killed, and news reports blaming problems from "malfunction" to "terrorist hijacking" to (finally) "EF satellite." This final act starts a war between the two powers. Russia initially joins the United States under the guise of "aiding it in its crusade against Europe" and invades EF-controlled Poland, but the Americans see this as an attempt to reform the Eastern Bloc and attack Russia. World War III has begun.

World War III

World War III is an open ended part of the story where the player chooses their faction and character and tries to take all three Capitals or twenty-eight battlefields.

The campaign plays much like Prelude to War with a few additional options. During World War III between battles the player has the option to choose between several battle locations. The battles that the player could have chosen, but did not, will be fought by AI. Also, battles lost or quit by the player cannot be replayed, and the territory is lost, whereas in Prelude to War, the player could retry each battle until he succeeded. The player also has the option to upgrade their chosen battalion with improved attack, defense, mobility, and ability characteristics.

At the conclusion of each campaign battle a summary screen is shown. This screen includes information including number of battalion units promoted, amount of credits (money) received, command rating, medals, mission duration, and a quote by a famous military leader. The player can gain a more in depth understand of the battle summary by viewing the details screens, which provides a breakdown of statistics, ranking, etc...

During the course of the war several background situations arise such as adverse weather conditions like typhoons causing people to become homeless and rescue teams being dispatched. There are also reports of protest against the war from around the world as well as by individual figures such as the Pope. These parts of the story are told via television reports. They also report the sinking of enemy shipping by airstrikes and WMDs. As the war progresses, the leader of an opposing nation survives an assassination attempt, around Turn 15.

When the war has ended, the winning faction takes control of the world and a special scene is shown, which shows the winning faction's flag and troops parading with the voice of the faction's General talking about their victory and what will happen in the future; depending on whether it is United States, Europe or Russia that is the winning side, the cut scene is different due to different speeches by Generals and different reasons for starting the war.

Locations

In an IGN interview, De Plater said the setting of ''EndWar'' (as a possible series) is a global battle, but the first installment is focused on the North Atlantic theatre of battle: Europe, Russia and North America. Players will hear reports of events in other parts of the world, such as reactions to the war by the Pope and various other countries, as well as actions in the war that the player takes no part in.

Vlorë

Vlorë appears in the video game Tom Clancy's EndWar as a possible battlefield. In the game, a major oil refinery is located there, which receives oil from the Black Sea.

Gameplay

Imp Rebs has confirmed 4x4 will be offered in the full version. De Plater confirmed the game to be a Real-time tactics strategy war-game. Units will gain experience as they are used in battle. The emphasis will be more on smaller scale battles rather than the overarching campaign.

Ubisoft also claims that the game is "completely controllable through voice commands." This is demonstrated on a handful of game play videos by de Plater himself.

Factions

There are 3 playable factions in ''EndWar'': The ''European Federation Enforcer Corps (EFEC)'', which is made up of veteran elite counter-terrorist and peacekeeping forces throughout Europe, especially skilled in urban warfare. While their units are slightly less armored, they are faster than either the JSF's or SGB's. They also excel in electronic warfare, as well as advanced directed energy and microwave weapons. Their ranks notably contain many previous members of the elite counter-terrorist unit, Rainbow. Their WMD (weapon of mass destruction) is a Tactical High Energy Laser.

The ''Russian Federation Spetsnaz Guards Brigade (SGB)'', which is composed of veterans of Russia's many regional conflicts, specializing in heavy weapons and heavy armor. They believe in winning at all costs, while still saving face. A few Rainbow veterans from Eastern Europe serve as Battalion commanders. Their WMD is a Fuel-Air Missile / Vacuum bomb, as are many of the 'special weapon' upgrades for units - e.g.: engineers and tanks gain access to flamethrowers, while artillery and gunships make use of fuel-air weaponry.

The ''United States' Joint Strike Force (JSF)'', led by ''Ghost Recon'' main character Scott Mitchell, is modeled after today's Marine Expeditionary Units. The J.S.F. is built around small units packing a precise punch, and is made up of elite servicemen from all branches of the U.S. Military. They also specialize in access to state-of-the-art stealth technology and battlefield robotics, such as Unmanned Aerial Vehicles and Automated Sentry Drones. Their WMD is a Kinetic Strike. A few veteran Ghost Recon and Rainbow members serve as battalion commanders.

Units

There are seven types of units available for direct command: riflemen, engineers, tanks, transports, gunships, artillery, and command vehicles.you can also subcommand drones and us army units(needs to be purchased from the barracks). Troops which have been with the player for many battles will be more effective than fresh recruits. De Plater, Creative Director, says this creates a "Pokémon-like" ownership of the player's units, and will have a large effect on his tactics. "It's a battalion that you own," says de Plater. "You can personalize it. You can customize it. You can choose its motto and its heraldry. You can change its composition and abilities." According to a Pre-GC IGN article: "Each faction has roughly 150 upgrades and units have six levels of experience. These upgrades are where the seven unit types can gain great variety and specialization through three different ways-experience, equipment and training, all of which have different effects and abilities. This allows many of the related unit types other games consider a different class have merely to be folded into one of the eight present in ''EndWar''. For example, a rifleman may be upgraded to a sniper unit rather than having that unit type exist by itself."

Each individual unit can be upgraded, improving their armor or offensive capability. Upgrades must be bought from points earned in the game.

The player will not control individual soldiers, but much larger platoons and companies. The soldiers will behave realistically, using stealth and military tactics. Veterans will act based on their experience in previous battles.

Craters, walls, debris, and buildings can be used for cover, and units can be pinned down by heavy enemy fire.

De Plater hinted at the game being streamlined with regards to units, resource management, etc. He stated that "every time they cut features out, it just made the game better." For example, only 12 groups are allowed under control at once. Also, the resource system will be stripped down compared to other RTS games. Each unit costs the same amount of resources, which are gained by capturing strategic points on the battlefield. Reinforcements will be handled realistically meaning all new units must be transported onto the battlefield by a transport vehicle (or in the case of helicopters, will fly in from off-screen).

To call in new units it costs between one and six CP (Command Points), Command Points are also used to call in airstrikes, force recon and electronic warfare, the three kinds of offmap support. Command Points regenerate at a rate of around one point for every 30 seconds and are also gained for killing enemy units, the player gains a bonus of four Command Points for capturing an uplink.

Mission Supports

There are also three mission supports that can be upgraded:

Air strikes that can be used to damage or destroy enemy units. Electronic warfare disrupts enemy communications, disables shields, reveals hidden traps and infantry, and immobilizes enemy vehicles and helicopters. Force Recon is a support weapon that sends a regular army unit to a captured uplink to protect it, or to attack a designated hostile. It consists of up to two infantry units, two FAVs (Fast Attack Vehicle) units, and two Tank units from the regular army.

DEFCON 1 Supports

When a battle reaches DEFCON 1 two supports are unlocked for the losing player; these are the ability to Crash an Uplink and deploy a WMD. When an uplink is crashed its upgrade can no longer be used and it no longer counts towards victory; Crashing an Uplink does not damage any units on the battlefield and can only be done once. A WMD, however, destroys all units within a large blast area, whether friendly or not. WMDs recharge slowly, so they can be used again. Additionally, during DEFCON 1, units used as reinforcements only cost two Command Points.

Mission Types

There are four types of missions in the game: conquest, assault, raid and siege.

Conquest: These battles are the most common, as Conquest is the primary mode in EndWar. The player starts with up to four units and has access to reserves and off map support. The aim of this mission type is to maintain control over a majority of the uplinks for a five minute period. When over half the uplinks are controlled, DEFCON 1 initiates and access to DEFCON 1 supports is granted.

Assault: These battles are the most straight-forward. To win this battle, the player must wipe out all enemy units.

Raid: These battles are like conquest mode, but the player has to sabotage the enemy by destroying half of the key buildings on the map within ten minutes (on offense), or prevent them from being destroyed (on defense). WMDs are not available.

Siege: These battles are exclusive to capital cities and require the player to capture or defend a critical uplink identified by being larger than all other uplinks. The attacker must secure the uplink before reinforcements arrive in ten minutes. The defender will be given eight units and must hold on to the uplink for ten minutes time, at which point a large Force Recon team deploys. Until the timer runs out, the defenders must do without any off-map support, including reinforcements and evacuation choppers, forcing units to fight to the last man. Off-map supports, including WMDs and reinforcements, are half the CP cost.

In all mission types, the player can also win by annihilating the enemy force.

Voice

The game features optional voice commands so that the player may use a headset to give orders to their troops, although the troops will only react to valid and game-related orders in certain languages, but are able to understand many accents of those languages. Officials at Ubisoft Shanghai said it was also possible to control the game using only voice commands; Jeff Bakalar of CNET concurred, saying the demonstration he watched ran for twenty minutes without any perceptible faults. Hearing enemy soldiers communicate gives the player a strategic advantage to counter the enemy's attack with one of their own. Ubisoft has even created a video showing parrots commanding units using their voice.

Point of View

The primary view in the game is from the perspective of one of the units under the player's command. The view can be moved a short distance from the selected unit or switched to that of another unit. Enemy units will only be detected if they are within the Line-of-Sight of a unit; doing away with the fog of war common in most strategy games.

In addition to the units' point of view, there is a tactical map or Sitrep view, which shows the entire map with the locations of all allied and any visible enemy units which can be used to issue commands.

Marketing

The special edition of ''Rainbow Six Vegas 2'' included a video with the first live gameplay footage of this game. There have been online advertisements, as well as an ''EndWar'' website at Endwargame.com

Downloadable Content

Since release, Endwar has received the "Escalation" downloadable pack on the PlayStation Network and Xbox Live Marketplace which contains three new unit upgrades (one per faction) and four new maps playable in skirmish, as well as additional achievements/trophies. Another set of upgrades were released, entitled the "Faction Elite pack" which included six new unit upgrades (two per faction) and three new battalions (one per faction). Also, announced on March 13, two new missions on two new maps will be available for free. They are assault on Russia’s Cosmodrome and conquest on the Strategic Petroleum Reserve in Richton, Mississippi, USA.

Trailer

The first ''EndWar'' trailer shows an overhead map of Western Europe with only Spain and half of France under US control, while the Russians occupy the rest of the continent. The camera then zooms to an ongoing battle in Paris, where a local Joint Strike Force commander, Major General Smith, directs the action from a mobile headquarters vehicle by using an interactive holographic map display. Outside, U.S. soldiers armed with assault rifles similar to the XM8, along with advanced IFVs, DPVs, and M5A2 Schwarzkopf tanks, attack Russian forces holding out at the Place de la Concorde and the Louvre museum. Eventually, the US troops call in air support in the form of AH-80 Blackfoot attack helicopters and V-25 transports, forcing the Russians to fall back. However, the assault is short-lived, as in addition to a mechanized counterattack, the Russian forces launch several Tu-3 UCAVs that shoot down the helicopters right on top of the soldiers. Realizing the desperate situation, General Smith issues voice attack commands to a Kinetic Strike satellite hovering over Europe. Russian soldiers surround him as he emerges from his command vehicle.

Just before the Russians take him in as a prisoner of war, the general says, "''Now.''" The satellite fires at least three kinetic rods down on his position, obliterating himself and the Russians, as well as large sections of Paris. Smith's death would be mentioned in passing in the ''EndWar'' novel.

The trailer depicts several major cultural icons from Paris, including the Eiffel Tower and a heavily damaged Luxor Obelisk.

The music used in this trailer was composed by Michael McCann and can be found at his website. The music of a different trailer is The End of the World by Skeeter Davis

Novelization

''Endwar'' was published as a novel, on February 4, 2008 in paperback form. The back cover says "Based on Ubisoft's bestselling game, ''Tom Clancy's EndWar''", despite the game not yet having been released at that time.

Reception

''The Guardian'' gave the game a 4/5 It was praised for its "Highly addictive solo play...the game comes into its own with the massively multiplayer online Theatre of War." while being docked somewhat for "occasional voice recognition blip". The website www.gametrailers.com gave ''EndWar'' a 9/10 saying that it was "Console strategy done right." IGN rated ''EndWar'' as an 8 out of 10 taking marks away for the "Uninspired single player campaign" but still saw it as a more than solid RTS. Game Spot's Kevin VanOrd rated the PS3 version of ''EndWar'' as a 7.5 out of 10 praising its "Innovative voice command mechanic" and stating "Persistent online campaign makes matches feel meaningful" but berated it for its lack of story and "simple rock-paper-scissors skirmishes". 1Up and Electronic Gaming Monthly both gave the game a C.

Xbox 360 Beta

A private beta test version was playable among Xbox Live Gold members. It included three maps and both 1v1 and 2v2 matches. The beta test began June 16, 2008 and ended July 9, 2008. Participants were placed under non-disclosure agreement until the game's first commercial launch.

Demo

The VIP demo for Xbox 360 users who pre-ordered the game was released a little more than a week late on October 11. The demo features one single-player story mission, one map that is playable in Skirmish mode with either 1 vs. 1 or 1 vs. AI, and a Voice Command Trainer.

The VIP demo has a campaign mission at Kennedy Space Center. The Skirmish mode features the European Federation versus the United States over the Kennedy Space Center in Conquest mode. The demo was released on the Xbox Live Marketplace on October 15, and on the PlayStation Store on October 30.

There is also a special code that appears when the user exits the demo, which is used to unlock a special Spetznaz battalion for use in the full game.

Sequel

A sequel to the game was confirmed to be in the early stages of development by Ubisoft's creative director Michael De Plater in an interview with Videogamer.com. A small team from Ubisoft Shanghai is in charge of the development, he said, and "is concentrating on two areas of improvement - single-player story and depth." He could not, however, place a date as to when more information on the sequel would be released. On February 8, 2010, it was announced that the development of the sequel was put 'on hold'.

References

''The Guardian'' review.

"IGN" Release Date

External links

Official Game Homepage at ubi.com

Category:2008 video games Category:Crossover video games Category:Microphone-controlled computer games Category:Multiplayer online games Category:Nintendo DS games Category:PlayStation 3 games Category:PlayStation Portable games Category:Tom Clancy games Category:Tom Clancy's EndWar Category:Ubisoft Entertainment games Category:United States Marine Corps in media Category:Unreal Engine games Category:Video games developed in the People's Republic of China Category:Video games set in Albania Category:Video games set in Austria Category:Video games set in Bulgaria Category:Video games set in Czech Republic Category:Video games set in Denmark Category:Video games set in England Category:Video games set in Finland Category:Video games set in France Category:Video games set in Germany Category:Video games set in Italy Category:Video games set in Portugal Category:Video games set in Russia Category:Video games set in Spain Category:Video games set in Ukraine Category:Video games set in the United States Category:Windows games Category:World War III speculative fiction Category:Xbox 360 games

be:Tom Clancy's EndWar de:Tom Clancy’s EndWar es:Tom Clancy's EndWar fa:جنگ نهایی تام کلنسی fr:Tom Clancy's EndWar it:Tom Clancy's EndWar lt:Tom Clancy's EndWar hu:Tom Clancy's EndWar nl:Tom Clancy's EndWar ja:エンド ウォー no:Tom Clancy's EndWar ru:Tom Clancy’s EndWar fi:Tom Clancy’s EndWar uk:Tom Clancy's EndWar

Penny Lee Dean is an American long distance swimmer began her career with her swim across frigid San Francisco bay at age 10. Later, as a swimmer for Pomona College, she was a six-time All-American. By 1976, she had swum from the mainland of California to Catalina Island in the overall world record of 7:15:55 - 1.5 hours under the former record, and a record that still stands. The next year she set the world record from the island to the mainland on her way to a 50 mile double crossing of the Catalina Channel in 20:03.

Dean is perhaps best known for her world record for the fastest swim across the English Channel in 1978 in a time of 7:40, shattering the previous record by over 1 h and 5 mins. The record stood for both men and women for until September 1995 when it was lowered to 7:17 by Chad Hundeby, whom she coached.

She continued her long distance swimming career for another three years, winning at Windermere in England, Lake St. John, LaTugue, Lakes Memphremagog and Paspebiac in Quebec, and Atlantic City in New Jersey, setting women's world records in most of them. She was Women's World Professional Champion in 1979 accumulating 1,000 points over her next rival. Dean served as U.S. National Team Coach of Open Water Swimming from 1988 through 1991, Head Coach of U.S. teams to the 1991 Pan Pacific Championships, 1991 World Championships, 1982 and 1990 Windermere Championships, 1990 English Channel Race, 1984 and 1989 Catalina Channel Race and coach of nine solo Catalina Channel crossers.

Dean was admitted to the International Swimming Hall of Fame in 1996.

Dean was forced to give up competition in the early 1980s, when her doctors urged her to stop all exercise as years of swimming had taken its toll on her body. Her enthusiasm for swimming carried on in her books and personal willingness to share her training methodologies. She has helped many other pool, open water, and marathon swimmers achieve their own personal goals. She taught as a Professor of physical education and the women’s swimming and water polo coach at Pomona College for over 25 years and now resides in Ithaca, New York.

Dean was born without an anterior artery in her left arm, making her accomplishments all the more inspirational.

References

Penny Lee Dean, ''Open Water Swimming'', Human Kinetics Publishers, 1998 ISBN 0-88-011704-4

External links

Article on Penny from News@Pomona

Bio of Penny at ISHOF

Category:Long-distance swimmers Category:Living people